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Cezanne and the Modern
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163 b
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Manet to Modigliani showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cezanne's Mont Sainte-Victoire (ca. 1902), Vincent van Gogh's Tarascon Stagecoach (1888), and Amedeo Modigliani's portrait of Jean Cocteau (1916-17), as well as an outstanding suite of sixteen watercolours by Cezanne. The volume opens with Henry Pearlman's "Reminiscences of a Collector", a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of fifteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous colour plates, select details, and numerous comparative images.
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